Slimtime

Slimtime_Still03

The moment I heard the electro-mechanical hum at the start of this short film, I thought “Tati”

Supinfocom is a school for digital animation, where the students work together in teams to direct short films. Their films have usually impressed me, but this one is so special I have to post it here. It was created by Bertrand Avril, Pierre Chomarat, David Dangin, and Thea Matland. The title “Slimtime” is a take on “Playtime”, the film by Jacques Tati, and the short carries out the Playtime aesthetic beautifully.   The voices and conversations of the women sound like they were taken right from the feature film, and the body animation matches perfectly.

Slimtime from Slimtime on Vimeo.

If this crew could produce more of these, I would pay to own them.

Here is their website

Here is a link to an interview with the filmmakers.

THOR

Earlier I posted about superpowers being a shortcut for creating interesting characters. After seeing Thor recently, I must say that superheroes become most interesting when they are not using their powers.  Since the comic books are such a huge world to themselves, I’m limiting my thoughts to the movie versions.

SPOILERS NOW:

I saw Thor last week.  When Thor loses his god powers and becomes a mortal among humans, is when he is most entertaining. He’s still a viking, and vikings are cool, especially among scientists and pretty girls. Muscles aside, he’s charming and confident, and that makes him interesting. His vulnerability at that point also makes us have empathy towards him. To the audience, he is now more real.   Superpowers, while spectacular, push characters outside our world.  It’s when they come down to earth, like Thor, that we can experience their real “character.”

It is the same way with Robert Downy Jr. in Ironman. When he is Tony Stark, his cockiness and wit get laughs.  Pepper Potts treats him like a regular guy, which grounds him in reality.   It’s a formula that really works.  I have to say Bruce Wayne (Batman) never held my interest that much.

This is why The Incredibles is a great superhero story.   Their superpowers are constantly used for action and comedy, but it’s their situations that make them relatable.  As a family, they have all the same issues that regular families have.  The fact that society has rejected them and having to keep their nature secret is a pressure way beyond what normal families live with, and we see them dealing with it.  It all works together organically to create a rich story experience.

 

National Mood and Cartoon Content

Here is something interesting.

Socionomics.net posted a two part article about national mood, measured in Dow Jones “bull” and “bear” markets, being reflected in the content of cartoons.  In a nutshell, when the markets are up, cartoon content is more positive.  When markets are down, content becomes more serious and cynical.  Here are some of the graphics

The articles are not difficult reading, and offer some interesting perspective on animation history. And it makes sense. When life is good, people do not want to question it, they want to enjoy it. When life is difficult, people like to see stories about others in difficult situations, because they can relate to it.

Here are the links: PART 1 and PART 2

I particularly like this graphic, although I’m not sure I agree with the “art” category.

Dancing to cartoony sound effects

This is a really interesting dance piece done at my alma mater, NYU. It’s artsy, yet funny. The dancer reminds me of Jim Carrey. I just wish the camera were closer.

Maybe the 11 second club should post a sound clip like this, something non narrative and a little wacky. Or make one for yourself.

How come the English can do wordless TV animation?

Not long ago, Cartoon Brew posted some videos of the new Bugs and Daffy TV show.  As usual,  the producers hired a bunch of witty writers to come up with jokes for Bugs and Daffy.  Lots of attitude, but little action.

So why is it the English can turn out great TV animation that uses almost no dialog? What I’m thinking of are these two shows.  The Animated Mr. Bean, and Shaun the Sheep from Aardman. Here are samples.

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