The World of Commedia Dell’arte

Here is an excellent set of youtube videos to educate you on commedia dell’arte. In this first video, she refers to the British TV show, Fawlty Towers, which helps to understand the characters.

This next video describes how the commedia traditions carry on to Chaplin and the Marx Brothers. She also mentions The Lion King.

This “character shape” video is great for animators, who often need ideas for creating specific characters walks. The “rich old man” is a character in Commedia, and the instructor mentions Mr. Burns, the Simpson character.

What I like about this next video is the approach to scenes. Have the character enter with a strong emotion already in place. And have them leave changed. When teaching animation, I get students describing their character as “just standing there, then something happens.” That doesn’t grab the viewer and bring them in at all.

This next video was included in my sub-verbal characters post.

Acting Tips from the Commedia Dell ‘Arte.

Two years ago I put these links in separate posts, but have combined them here. These are some useful articles written by Adam Gertsacov about acting in the commedia dell’arte. They are not long, and are fun reads. I think they represent an approach to acting which is more appropriate for cartoon characters. Most “Acting for Animators” lessons come from actors who are trained in modern dramatic performance. Commedia performance is much different from that. It’s much more energetic and straightforward. “Method” acting is great for serious roles, but I’m talking cartoons here.

Here is a great quote from the first article:

If you were walking by and saw two commedia actors working on a scene– you shouldn’t think it was part of the everyday street life. You’d stop and take a look, and maybe call the cops about two weirdos acting kind of crazy.

Commedia Acting Tip: The Ghost of Chekhov.

Checkhov of course was a playwright, and his characters are deep and complex. Cartoons are not.

Adam uses the term “appetite” instead of “motivation.”  I think the word appetite is way better for describing what drives a character.   It’s more visceral, more from the gut.

Commedia Acting Tip: It’s All About the Appetite.

I can recall watching animators shoot reference video, and doing the same thing over and over with each take. Before shooting reference, read this article:

Commedia Acting Tip: Try It Italian Style.

The title of this post alone should make you want to read the article. “Animate the Inanimate” It is about acting with a static mask. Most animated characters have mobile faces, but focusing on the performance without the face moving is one way to strengthen the overall effect.

Commedia Acting Tip: Animate the Inanimate..

And here is a nice video with some commedia acting lessons.

The Mad animated TV series

If you haven’t seen the animated sketch comedy show “Mad” on the Cartoon Network, you are missing a great show. It’s very funny, and inspiring for it’s low budget production. I appreciate how they mimic the style of each show they are covering.

Here is a funny Avengers parody that mashes up other animated shows.

And a fun Toy Story 3 related clip.

Thunder LOLcats

Yu-Gi-Bear

Funny short: Heaume Sweet Heaume

I laughed through nearly all of this great student work:

Heaume Sweet Heaume from Simon Popot on Vimeo.

It just needed a bigger ending. When I saw the meat and liquid on the floor, I thought for sure the knight would slip on them.