100 Hours

Jeff Raz, for­mer direc­tor of the Clown Con­ser­va­tory in San Fran­cisco has said it takes 100 hours of prac­tice to pre­pare one minute of performance.

If we apply the same math to cre­at­ing an ani­mated shot, and the shot is 10 sec­onds long, that would mean about 16 hours of prac­tice. By prac­tice, I mean 16 hours spent rehears­ing, devel­op­ing ref­er­ence, or draw­ing before begin­ning to ani­mate a shot.

Jeff points out that the 100 hours is before tak­ing it in front of an audi­ence for the first time, and that’s when the real devel­op­ment starts.   The valu­able feed­back starts then.  Ani­ma­tors can’t con­tinue to develop the work, so their is more pres­sure to get it right.

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