The Red Bastard

This is The Red Bastard, and he is generally found at Fringe festivals in the UK and North America.  Eric Davis describes his character as a “dangerous, seductive, comedy monster.”

Here is a good sample of his show, and you should note how he explicitly says he needs to do something interesting every 10 seconds.  That’s great advice for creating an engaging character.  When you enter a stage looking like he does, you had better keep the energy up.  The audience is probably afraid to look away.


The Red Bastard is a great example of bouffon. From wikipedia:

Bouffon (eng. originally from french: “farceur”, “comique”, jester”) is a modern french theater term that was re-coined in the early 1960s by Jacques Lecoq at his L’École Internationale de Théâtre Jacques Lecoq in Paris to describe a specific style of performance work that has a main focus in the art of mockery.

Vaudevillian and author Trav S.D. has this to say about the Red Bastard:

I would describe Red Bastard as a devilish improvisational clown, who resembles a cross between Lewis Carroll’s pedantic Red Queen and one of the Fruit o’ the Loom guys. To be accurate, the Bastard is not a clown but a Bouffon, a sort of anti-clown whose job may or may not be to amuse, but also to provoke and unsettle.

I have another post that will tell you more about bouffon.  READ IT HERE!

Here is an interview with him about his show.

And if you can’t get enough, here is a video teaser for one of his shows.



More on Bouffon – the anti-clown.


If you have read my post on The Red Bastard, here is further information the clown type known as bouffon.

I had the book “Why is That So Funny” by John Wright, sitting on my shelf for a quite a while, and I picked it up again. Rather than guess where I left off, I just jumped to the last chapter, which happened to be the last of his profiles of clown types. I found it appropriate that the buffoon was the last of the types to be included. The buffoon seems to be the least known and least understood character of the comic archetypes.  A google image search for buffoon/bouffon will largely deliver pictures of jesters and clowns.   The author writes:

The Shorter Oxford Dictionary define buffoon as a “low jester – implying ridicule, contempt or disgust”  We’re dealing with the lowest denominator of physical comedy here that, on the face of it, is socially unacceptable today because we pride ourselves on knowing better, and because we aspire to a diverse society.

On another site I found this description:

In the world of Bouffon, the audience is the joke. Bouffons show no vulnerability. Their great joy is to parody the audience, its values and flaws. This pack of grotesque outsiders engage the audience with great joy, intelligence & charm. They are disgusting, yet beautiful. They hate you, yet they flatter you. The Bouffons are the ultimate manipulators, a ferocious social satire about to explode, liberating the energy in the room with an immense pleasure to parody and to play.

Jacques Lecoq said:

The audience laughs at the clown and the bouffon laughs at the audience.

Historically speaking, buffoons are the descendant of the famous Punchinello of the Commedia Dell ‘arte.   There is a story of a hunch back who attempts to trick some magical women into removing his hump.  Instead, they curse him with a second hump on his belly.  He becomes Punchinello, the very symbol of grotesque realism.  Back in the middle ages, the misshapen and hideous could occasionally find as entertainers.   Once a year, there would be the “Feast of Fools” when the city would turn the rules topsy-turvy and the village idiot could be crowned King of Fools.  This happened with Quasimodo in The Hunchback of Notre Dame.

The above quote should now makes sense.  We aren’t supposed to laugh at people like that anymore.  It’s cruel.  Which is why we can now create fake grotesquery, and achieve the same effect.  However, it still makes audiences uncomfortable to be around someone who has an appearance like this…

The grotesque appearance puts you so far below “normal” people that they will tolerate behavior they wouldn’t from a peer.  If they are uncomfortable just looking at you, they are likely to let you get away with unusual behavior.

There is an old saying: “Shit rolls downhill” meaning the people at the top will pass the abuse to those below them in the hierarchy.  Once I heard someone else follow that up with  “When it hits the bottom, it flies in all directions.”  This is what the buffoon represents.  They are at the bottom of society, and they have nothing to lose.  It they have the spirit, they can take advantage of peoples fear of them, and get away with mockery that others can’t.

Some time ago I went to see Circus Finelli perform in a tiny theater in San Francisco. One of their skits involved dressing up in fake muscle suits and performing silly “feats of strength” all the while yelling “Mykonos!!!”

I know now this was a sort of Bouffon performance. The costumes severely distort the body, and they behave in an aggressive manner.

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