Gerald Potterton


Until writing this post, I could not have told you who directed the cult classic animated feature “Heavy Metal”. But now I know it’s Gerald Potterton

First I discovered Potterton’s short film “The Ride”

Then I found he directed another short featuring an elderly Buster Keaton, “The Railrodder”, which I had read about but never seen.

Clearly, this is an animator who appreciates slapstick comedy.

Also, Heavy Metal came into the trending topics recently because of the launch of the Falcon Heavy rocket, that put the Tesla roadster into space.  This image was made by someone online. I believe the illustration was actually from the print magazine and not the movie,

Jackie Chan Master of Silent Comedy

I am thrilled that Jackie Chan gets so much appreciation from film fans and makers of YouTube video essays. His work is being studied and there are many lessons for animators to soak up. Here is a recent video that makes a case for Chan as the fourth great silent comedian. It features some excellent examples from Harold Lloyd, Buster Keaton, and Charlie Chaplin. Chan studied their work and applied it to his own.

I have other posts about him on the topics of TIPS FOR ACTION COMEDY, HOW TO DO ACTION COMEDY, and the ten video extravaganza JACKIE CHAN’S TIPS FOR ANIMATORS. All these are worth watching more than once.

Funny short: This Way Up

I can’t believe I haven’t seen this before now.  It’s exactly what I like. It’s a non verbal comedy packed with great gags.   This Way Up was released in 2008, and was nominated for an Academy Award.  It was created by the directing team of Smith & Foulkes at Nexus in London.  The story features a pair of undertakers retrieving a body for burial.  It’s a grave situation (pardon the pun) and that allows for humor that is both dark and slapstick. Like my Floyd the Android character, these two don’t give up until they complete the job.

Except for the poster image below, the two almost never smile.  Undertakers by nature are quite serious and respectful. The straight faces give the impression of them being a pair of Buster Keatons.  (Buster Keaton as an undertaker may have been a missed opportunity.)  The film is 9 minutes long, but moves along so efficiently it feels shorter.  The bizarre ending features a truly death defying stunt that is very Keatonesque.

10 Types of Comedic Entrances

I have a previous post about character entrances, but I have put a lot more thought into it.  The result is my first Comedy for Animators video.  10 types of comedic entrances looks at various funny ways characters can enter a scene.  I have found at least two examples from both animation and live action films to demonstrate each one.

The term “entrances” covers a few things.  It can be a character walking into a scene.  It can be the very first scene where a character is shown to already be.  It can be a scene about a character entering another place.  A character can be revealed when something in the scene changes.  Basically, it is the shot where you, or someone in the story, first sees the character and the effect it has in the telling of the story.

The ten different types of comedic entrances are:

1:  The big entrance.  This is an attention grabbing entrance.  It should emphasize the character’s style and have an effect on the other characters in the scene.

2. The downtempo entrance.  If the character has a low energy style, you may want to create a story that begins with a high energy. By clashing with the situation, the character will stand out as unusual. A low energy character in a low energy place would be inherently uninteresting from a physical comedy point of view.

3.  The surprise entrance.  The character is hidden in some unexpected place.

4.  The misleading entrance.  The character enters the scene in some way that leads the audience to make assumptions.  Then the reality proves to be very different.  Such characters usually go on to prove they are not what they seem to be.

5.  Bad timing.  The character enters at a really bad moment.  Prior to the character entering, the situation is set up for them to be in the wrong place at the wrong time.

6.  Exit as entrance.  We first see a character as they are being kicked out of some other place.  Often, they are literally flying out the door

7.  The disguised entrance.  The character enters the scene in some disguise that is comical in itself.

8.  The subverted entrance.  This is a scene about a character entering, but the entrance does not go as planned.  It can be seen from the entering character’s point of view.

9.  The strange, surreal doorway.  A character simply walks into the scene, but it is through some very strange doorway.

10.  The forced entrance.  The character is forcibly brought into the scene or story.

And there you have it.  If anyone can identify a type of entrance that I have overlooked, I would be very happy to hear about it in the comments.

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